![]() She’s the crazy woman who lost her son.Įach subsequent cut to the beach is accompanied by the now unsettling roar of the waves, the lone witnesses to Iván’s disappearance. Elena is living in Vieux-Boucau-les-Bains, the French coastal town where Iván vanished, managing a cafe and walking the beach daily. In the adaptation, Sorogoyen and his cowriter, Isabel Peña, move forward 10 years - in a different direction than one would assume from the opening. ![]() In a few harrowing moments, made more intense by a dying cellphone battery, the father does not return, but we hear a stranger approach, and the boy is suddenly no longer on the other end of the call. The boy is alone on a beach, his father having left momentarily to retrieve some toys from their camper, and he’s scared. Next, a woman named Elena in Madrid receives a phone call from her 6-year-old son, Iván, who is on a camping trip with his father somewhere on the coast of southwest France. The opening shot of Rodrigo Sorogoyen’s “Madre,” a mesmerizing expansion of his Academy Award-nominated short, is of a beautiful and forbidding beach blanketed by low clouds and empty but for the muted sound of the surf. ![]() Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the Centers for Disease Control and Prevention and local health officials. The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic.
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